Editor’s Note: Matthew Chicoine interviewed Fabiola Garza via phone call on April 23rd, 2025. Some of the questions have been rearranged and edited to provide the best reader experience without losing any integrity of the answers given.

Tell me a little about your faith journey.
I was born a cradle Catholic and come from a pretty strong Catholic family in general. I actually only went to one year at a Catholic school due to my family moving a lot. I lived in Mexico, Columbia, and Istanbul. I always thought you lived faith on your own and wasn’t aware of youth groups.
In college I started dating a Protestant Evangelical and this gave my dad some pause. He gave me some Scott Hahn books to read. His language is accessible and added depth to helping me understand my faith. I eventually got involved in youth groups in Boston.
What got you interested in art?
I was an artistic kid, always loved drawing. I loved animated movies as a kid and my main interest was to work for Disney. I was absolutely mesmerized by the art of animation. Art was a thing I was good at and understood. I loved creating characters and creating stories.
How did you get started with Disney?
After college, I worked several jobs including a video game and toy company. Finally, I found a job at Disney Creative Group. We did the art for all the merchandise that goes out to retail stores. I worked in that division for ten years.
How does your Catholic faith inform your approach to character design, especially when working on secular projects at Disney?
I only designed one character at Disney. I always like putting myself in a place of prayer before work. But with Mickey, you just draw Mickey. Thankfully, I was never put in a position to have to worry about having the work on a project that would conflict with my conscience.
Could you share how creating “The Story of Saint John Paul II” differed from your other artistic projects, both technically and spiritually?
The great part of doing saint stories is you get to delve into their stories. You can’t help but be changed by learning about their stories and writing. When I am creating saint stories, I ask the Saint for intercession and how they would be presented and in the best way for children. It’s really interesting and wonderful to bring the saints along in the process.
The saints are not dead, they are alive!
My portrayal of the Saint is only a glimpse of their amazing life. It’s like a movie. You can only capture an aspect to bring children to understand the saints more as they grow. I do try to approach the creation of the saint story like a movie.

Are there specific Catholic artistic traditions or sacred art styles that have influenced your personal work?
Growing up, I never really looked at artwork as being separate from religious and non-religious art. To me anything that is beautiful is of God. That’s my view on art. Sometimes we as Catholics feel forced to love certain religious art over others.
For instance, I love Da Vinci and the Renaissance. I don’t compartmentize art, I don’t feel like putting a wall between my work and the Holy Spirit. I think a truly Catholic person is going to make truly Catholic art without it being thematically religious. It is important for me to never confuse my work with what I am doing spiritually. You could be a terrible person and do spiritual/religious work.
The Lord cares about your heart. It can be a temptation when you are working in a Catholic sphere.
Art nouveau is a style I love. The most famous artist is Alphonse Mucha in this movement. He has a mastery of anatomy and these beautiful romantic shapes. It reminds me a lot of the elven architecture in the Lord of the Rings. It is very dreamy and has a magical soft quality. It is based on natural shapes. This movement preceded Art Deco which has more harsh/rigid lines and shapes. It has more structure and architecture.
How has working in the entertainment industry shaped your perspective on creating media that resonates with Catholic audiences?
I think you need to make beautiful things. Catholic audiences are also looking for quality and good stories made with care and time. A lot of Catholic audiences are tired of entertainment media that isn’t up to par with the rest of the industry.
We want to create things that are good and beautiful. Nothing can substitute for a good story. You can have all the money in the world and technology, but it needs a good story.
What advice would you give to young Catholic artists who want to pursue careers in mainstream creative industries while staying true to their faith?
I think it is important to have a faith community. When I moved to Orlando I plugged myself into the local Catholic community. You aren’t meant to live out your faith alone. Your community keeps you accountable.
Is there a particular saint or biblical figure whose story you’d love to bring to life through your art in the future?
So many, I have a whole list! I can tell you one that didn’t make it into the princesses of Heaven. I really want to make a story and art for Hildegard of Bingen. She was so smart and was so cool. She’s definitely one saint that I would love to portray.
Do you have a saint quote?
During my tough “hell” year, before work I prayed the prayer (The Mission of My Life) by Saint Cardinal Henry Newman.
Where can my audience learn more about your work?
Instagram: Fabiolagarzacreates
Website: Fabiolagarza.com
About Fabiola:
Fabiola Garza is the author and illustrator of the children’s book best-seller Princesses of Heaven: The Flowers. She worked as a character artist at the Walt Disney Company for over a decade. Her other work includes A Boy Who Became Pope: The Story of Saint John Paul II, Pixar/Disney’s Little Golden Book Coco, and the cover of A Portrait of Walt Disney World: 50 Years of the Most Magical Place on Earth. Fabiola has lived all over the world. Born in Mexico City she eventually settled in Orlando, Florida. She loves fairytales, London Fog lattes and France.



