Editor’s Note: Matthew Chicoine interviewed Elisabeth Sullivan, Executive Director of the Institute for Catholic Liberal Education, via email in 2025. We have rearranged and edited some of the questions. This provides the best reader experience without losing any integrity of the answers given.
You describe Catholic education as an “engine of evangelization.” Can you share a specific example of how a Catholic classical liberal arts approach has transformed a student’s or school’s understanding of faith and learning?
At one of our member schools, Holy Innocents School in Long Beach, California, the results were almost immediate after the pastor and principal welcomed ICLE in to form their teachers in 2018-2019. Fr. G. Peter Irving was intent on offering a deeply formative education to the children entrusted to his care in this low-income and socioeconomically diverse Catholic community. His new principal and teachers were devoted to their students and were keen to learn new approaches that would engage them with rich content and better pedagogy.
Principal Cyril Cruz reported that, once the teachers stopped teaching to the test, standardized scores in reading and math jumped dramatically. Both teachers and students were enlivened by a more substantive curriculum.
As one veteran teacher described the change: “It’s not just something that’s compartmentalized into religion class, but it really is the most coherent way to explain reality itself. And the purpose of education is to help our children be able to grasp what reality is, what truth is, and to be able to know how to live according to that truth in their lives. That’s what we call growing in wisdom and virtue.”
Editor’s Note: Matthew Chicoine interviewed Christian Salem via phone call on August 7th, 2025. Some of the questions/answers have been rearranged, edited, and paraphrased to provide the best reader experience without losing any integrity of the answers given.
The Coptic Catholic Church traces its origins to St. Mark the Evangelist. How does this apostolic heritage shape the spiritual life and identity of Coptic Catholics today?
When St. Mark brought the Gospel to Egypt, he gave us the foundation for a Church rooted in apostolic faith. After his martyrdom, the community he formed blossomed into a vibrant ascetical tradition, giving rise to saints like Anthony the Great, Cyril of Alexandria, and Athanasius, whose lives of prayer, fasting, and theological brilliance shaped Coptic spirituality for centuries.
You can see how this heritage lives on today in the Coptic Catholic Church’s liturgy, monastic ideals, and steadfast witness, preserving the same faith St. Mark entrusted to Alexandria.
The Coptic Catholic Church uses ancient liturgies like those of St. Mark, St. Cyril, St. Gregory, and St. Basil. What are some distinctive elements of the Coptic Catholic Mass that a Roman Catholic might find striking?
Editor’s Note: Matthew Chicoine interviewed Sophia Chamblee via phone call on August 9th, 2025. Some of the questions/answers have been rearranged, edited, and paraphrased to provide the best reader experience without losing any integrity of the answers given.
What inspired you to start Playground Saints?
I think the inspiration started up around Covid. I noticed people starting up these small businesses. It started as an Etsy stop with bookmarks. The bookmarks were like a humble beginning. I really like stickers and I noticed that other shops prioritized stickers. I wanted to have stickers as my own.
After I graduated college, I got a printer and cricut. I use an app call Design Space.
What saints did you begin with for your stickers?
I use the same designs of Padre Pio, and Therese of Lisieux, and Mama Mary as when I began.
Thomas Aquinas and Martin de Porres and Rose of Lima were original saints that I have later upgraded the designs.
Your logo, “Mama Mary and Son,” has such a warm, whimsical feel. What was your inspiration?
Editor’s Note: Matthew Chicoine interviewed Chris Lewis via phone call on August 7th, 2025. Some of the questions/answers have been rearranged, edited, and paraphrased to provide the best reader experience without losing any integrity of the answers given.
What inspired you to start creating Catholic art?
I had been a graphic designer for a number of years and I was a convert. I converted as a practicality to get married in the Church but eventually I started to have questions about the faith I accepted, and was being pulled to learn the faith for myself which led to a profound and authentic intellectual conversion. However in my 30’s I was diagnosed with lung cancer and this experience shook me spiritually. I learned I was grateful for my gifts and thought maybe I should use these gifts to help share the faith.
I started doing Catholic art for fun and as a cathartic experience. I used to be an illustrator. And I would hand-draw everything. I went into graphic design for stability.
When I started out sharing my sketches on social media my art took off. When you started Baritus Catholic in 2018, I was still working at my full-time graphic design job. Two years later, I decided to go full-time with Baritus Catholic.
How did you decide the name of your company?
I love reading ancient history. I was reading about the fall of the barbarians to the Romans in the 300s. There was a war cry that sounded like a trumpet, it was called “baritus”. That’s actually where we get the word baritone from. The war-cry and trumpeting reminded me of the angels ushering in the end time judgement in Revelation and the war-cry at Jericho in the Book of Joshua.
Editor’s Note: Matthew Chicoine interviewed Father Edward Looney via phone call on July 1st, 2025. We have rearranged and edited some of the questions. This provides the best reader experience without losing any integrity of the answers given.
You’ve written and spoken extensively about the Blessed Mother. What first sparked your devotion to Mary, and how has that relationship deepened over time?
What really started it was—I joke—I came out of the womb loving Mary. My mother and father were separated by the time I was born. I grew up in Oconto, WI, and in my hometown, there was a woman who organized pilgrimages to Medjugorje. And I think she had a great influence on Marian devotion in our parish. I remember starting later with rosaries.
Once you realize our Catholic tradition is 2,000 years old, and once you start reading the Early Church Fathers, it only deepens your devotions. The writings and quotes of the saints inspired me too.
In your book A Heart Like Mary’s, you offer practical ways to imitate Our Lady. What’s one Marian virtue you personally find the most challenging to practice as a priest?
Editor’s Note: Matthew Chicoine interviewed A.R.K. Watson via phone call on June 30th, 2025. We have rearranged and edited some of the questions. This provides the best reader experience without losing any integrity of the answers given.
What inspired you to launch Catholic Reads?
When I converted to Catholicism (from the Church of Christ) in college, I was taking a diversity in literature class. My professor said things in the class that seemed prejudiced against Catholics. I talked to the professor and she mentioned that she was actually Catholic herself. I then realized that I had projected my own anti-Catholic bias onto her.
And I was awoken to how literature can help in your spiritual growth through literature. I grew up in Tennessee (less than 3% of the population is Catholic) so I was surrounded by a lot of anti-Catholic bias.
In Flannery O’Connor book’s Wiseblood, I was provoked by how she portrays the South. I didn’t realize as a Protestant that her book was a dry satire. Once I became Catholic I found the jokes and learned how laughter and story can be tools to fight against prejudice.
Converting was like walking around with those old fashioned 3D glasses with one lens red and the other blue. I had my gut-Protestant reaction but also saw things from the Catholic perspective.
In your experience, what sets Catholic fiction apart from other genres?
Editor’s Note: Matthew Chicoine interviewed Tom Gould via phone call on June 11th, 2025. Some of the questions/answers have been rearranged, edited, and paraphrased to provide the best reader experience without losing any integrity of the answers given.
You’ve been faithfully posting a new comic every Friday since 2014, what inspired that commitment?
I graduated from John Paul the Great Catholic University in California. Matt Martinusen was starting a Catholic men’s blog called The Catholic Fellows. He thought it would be fun to start a comic for the Men’s blog. While the other writers moved on, Matt encouraged me to continue. There wasn’t a meaning to Friday at first, it was originally a deadline for the blog. But as I continued Tomics after the blog ceased, I figured I would keep posting on Fridays as that day has significance for us as Catholics.
How has your creative process evolved over the years?
I think I definitely look stuff up more. It used to mostly be Bible puns, but now I like to use the knowledge I have or acquire to teach the faith. So I’ll be more careful when looking up stuff. I use a Wacom Tablet, and I like to handwrite the lettering. I found a free website where I could turn my handwriting into a font, and have turned my handwriting into a font to save time. It helps with spacing and sizing of letters. I have tried to both streamline and keep the process personalized.
Your comics bring Scripture to life with humor and visual storytelling. How do you strike the balance between being reverent and being funny—especially when depicting scenes with Jesus and the apostles?
That’s a tough one. There are certain lines I don’t cross and not everyone is going to agree with where that line is. My approach to humor is to invite people into the stories. It’s trying to encourage people to the Gospel but understanding that people often think in turns of puns and jokes. I try to make the apostles look silly during the Gospels because they were bumbling fools at times in the Gospels. I don’t do that with Jesus and I don’t recharacterize individuals from how they are portrayed in the Bible.
You occasionally dive into the Old Testament and the lives of the saints. What’s been one of your favorite “non-Gospels” comics to create, and why?
For the Old Testament, in the story of Adam and Eve I portrayed Satan as a sock-puppet. Besides that, Moses puns are fun. The Israelites are freed from slavery and can’t help but complain soon after. Like what’s God done for us lately? I dial up the denseness about Exodus and the Israelites to point out the ridiculousness of their complaints.
Here’s the sock-puppet Satan popping up again in the New Testament this time.
You contributed artwork to the Council at Daybreak game from The Catholic Card Game. What was that collaboration like, and how did your style fit into the world of Catholic tabletop gaming?
Matt had made the Catholic Card Game already. He was great with reaching out to people to collaborate with. He got Fr. Mike Schmitz and Pints with Aquinas to make suggestions for the cards.
A few years later Matt had this idea to make a Catholic Mafia game (based on One Night Werewolf). This game was more illustration focused. I had fun making this game! Matt had all the names of the cards and concepts. I gave him a few test things and he either approved them or added adjustments. I was pretty free to design the cards/characters how I envisioned them.
If a young Catholic artist approached you wanting to evangelize through comics or visual storytelling, what advice would you give them—spiritually and artistically?
That’s a tough one, but I think definitely being knowledgeable about the faith. I have to relook up stuff about Catholicism to make sure I get it right. Before college, I had my Catechism. During college I had philosophy courses to help build up the faith. Nowadays, I look up things in the Bible, the Catechism, and Catholic Answers. I think I take for granted at times how valuable having this knowledge is.
Another thing is not to wait until the art is perfect to start. I think having a deadline where you have to post something helps you get over perfectionism. And the main thing is you are serving God in your art. As long as you are trying to represent the faith well and God well that’s the main thing.
Be open to criticism if you get the theology wrong.
Who do you consider your patron saint?
For my work and my confirmation saint is Lawrence. I connected with the gallow’s humor and his story is short and almost fairy tale like.
The Holy Family is another one I pray to a lot especially as I draw comics about them. Mary and Joseph are the two saints physically closest to Jesus.
Another saint that’s connected to me a lot is Joan of Arc. Her story is a strange place where theology sticks itself with history. Joan brings God into the reality of the war between France and England. Saints that have a very clear space in history help me.
Anytime I do a comic about a particular saint I ask them for intercession.
Where’s the best place for my audience to read your comics?
Instagram is where I am most active and I like the formatting. I think the slides are nice.
I’m a lifelong cartoonist from a big Catholic family. My art was inspired by animated superhero shows and the ever-popular “Peanuts” and “Calvin & Hobbes” comic strips; my faith was formed by my parents, several church communities, and my small Catholic college. I’ve been posting weekly “Tomics” for just over ten years now, and I hope to continue using my gifts to bring people closer to God in a way that’s accessible, faithful, and fun.
